The Use of Stanislavskis Ideas to Guide Actors During the Rehearsal Process :: Konstantin Stanislavski Acting Theatre Essays

The Use of Stanislavskis Ideas to Guide Actors During the Rehearsal ProcessStanislavskis ideas on relaxation, concentration of attention andtempo-rhythm went into great detail. He had very distinct, yet simpleto follow ideas on each three, which actors still manipulation and study tothis day.Stanislavski dwelled on concentration of attention to a great extent.The use up of attention when contend a role was considered veryimportant. Concentrating on the attention was a adroitness that came frompractise and focus, beginning in rehearsal and continuing into thefinal performance. The possibility of concentration of attention is being adequate to(p) to concentrate on a particular part of the scene, which could bean object, a physical move or listening to the dustup. This eachows theactor to concentrate on the part of the play and admit what is going onand happening or so him, so there ar no free moments. This meansthat each performance is similar, as the analogous objects of at tentionwill aid the same actions, movements and speech. It keeps theperformance consistent. Taking the surmisal of concentration a stepfurther, Stanislavski devised the synchronous converters of attention. This waswhere an actor would create a circle in his or her own performancewhere they would devote their entire attention. Anything outside thecircle would cease to exist. This would mean the performance would betotally dedicated, without any breach from anything else, like anoise from the audience, or anything out of the ordinary. Not allperformances allow for this approach to attention, as some may requirethe fill to monitor the audience and connect with them. This would bethe case when a speech is delivered directly to the audience. Or inthe case of a comedy, an actor ask to observe the audience reactionand alter the performance. This is where concentration of attentionbecomes much complex. A performer must be able to split the learning ability intotwo. The first part bein g committed to the act, the second being ableto take into account any external conditions. As a director, the useof concentration of attention is important to allow the performers toact at their take up ability. The relevant use of concentration would beessential. For instance, when playing a singular, lone(prenominal) part, likethat of Davoren at times in The Shadow of a Gunman, the use ofcircles of attention would be very useful. Sitting at his typewriter,attempting to write poetry, he has no interaction with any othercharacters, and requires no audience response. Therefore, he candevote his entire concentration into the role and the scene aroundhimself. However, if playing the role Mrs.