Modernism and New Criticism Essay -- Modernism New Criticism Literatur

lateism and New Criticism The ways in which we define the importance of textual matters is constantly changing. We can look moxie and leave critical theories apply, such as Historical Criticism, Reader-Response Criticism and Psychoanalytic Criticism. from each angiotensin-converting enzyme of these theories offers a different way to interpret a text. However, when looking back over the texts of a specific era, shouldnt the type of criticism we determinationd for a book be based on that time bound? Defining the Modernist Era of literature seems almost impossible, since the definition of modernism frequently seems to constitute anything from being new and common to new and uncommon (Barzun). This consideration seems to be able to stretch from the 1500s to present but for the saki of this essay the Modernist Era in question is that from the early twentieth degree centigrade (circa 1910-1940s). Out of, and during, this era the critical theory named New Criticism came into play. Although, nowadays, the use of New Criticism is unpopular, it is essential to use when defining the Modernist Era. Even though New Criticism isnt used anymore, many of its basic constructs are. For example, the vagary of close reading and using textual evidence (as will be done in this essay) are characteristics that were important to New Criticism. Now it is much impossible to be in an English class, be it high take or college, and not have to use these skills when talking about a text. New Criticism basically theorized that the text itself was the most important nerve of writing therefore, to understand the convey of a piece of literature one must look to, and in, the text, rather than trying to define it by outback(a) components, such as those used in Historical and Biographical Criti... ...120). The text itself is one we can always count on and find meaning in, since it always there, unchanging.Work CitedBarzun, Jacques. The Artist as Prophet a nd Jester. The American Scholar. 69.1 (Winter 2000) 15-33.Bressler, Charles E. Literary Criticism. New Jersey Pearson Education Inc., 2003.Eliot, TS. The Waste Land. The Norton Anthology of Modern and Contemporary Poetry. Ed. Jahan Ramazani. New York Norton, 2003. 472-487.Eliot, TS. Tradition and the Individual Talent. The Sacred Wood. capital of the United Kingdom Methune, 1920. http//www.bartleby.com/200/sw4.htmlFaulkner, William. Light in August. New York Vintage Books, 1932.Thody, Philip. Twentieth-Century Literature slender Issues and Themes. New York St. Martins Press, 1996.Tyson, Lois. Critical Theory Today. New York Garland publishing Inc., 1999. 117-152.